That said, the middle of the album is The Heist all over again, and maybe even better, as the significantly improved writer Macklemore displays on the masterful freestyle session "Need to Know," where he drops the excellent "I swear rapping make it easy to lie/But secrets don't make it easy to write." "Kevin," featuring a beautiful bridge from Leon Bridges, skillfully tackles the overprescription of drugs as it watches a friend die at the hands of big pharma addiction, while the sublime "St. In other words, the bookends of the album address what needs to be addressed, and the end user can endure, adore, or accept them with the option to skip on return visits. A mom/fan is even confronted in the song, and the lyrics bounce between the mindsets in a manner that's fascinating more than it is riveting. Same can be said for the closing "White Privilege II," where the rapper does the numbers and wonders why his brand of love and understanding sells so well to the public but rarely gets a "yes" vote at the polls. It's big, bold, and will be considered cloying by anyone who bristles at Macklemore's emo-ish excuses for doing well, but its main fault is taking on too much and winding up too busy. Put the needle to the record and "Light Tunnels" featuring Mike Slap takes the listener on an elaborate, unrelatable journey through music award shows and the hypocrisy of fame. That platinum albatross started hanging off the duo early on, and Macklemore's declaration that Kendrick Lamar should have won the Grammy instead certainly foreshadowed how LP two, or three, was going to be "difficult," but Unruly is surprisingly good at dealing with guilt and expectations, exorcizing its demons in a way hardcore fans can enjoy, and casual listeners can avoid. Hope you enjoy.Call it the "difficult" third album from Seattle's Macklemore, or the second LP from Macklemore & Ryan Lewis, but however the discography is counted, This Unruly Mess I've Made is the release that follows the Grammy-winning, massively successful The Heist, the one that introduced this pop-rap rapper/producer duo to most of the world, meteoric rise and all. We just wanted to put out good music, directly to the people that have been here since the beginning. We didn’t want to do a big campaign or anything over the top with this. It’s where I’ve been the last year, through all the ups and downs. This is why “Growing up” felt like the right song to re-emerge with. When you try to escape yourself, life has an interesting way of creating situations that force you to come back.
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The other half is trying to figure out how to grow up myself. When I got back to the cabin the next day, Ryan had made a new beat that would eventually become the song you’re listening to. I was going back to the city once a week to attend a birthing class with Tricia. I was finally having fun in the studio for the first time in years. And I knew I had to change.ĥ months later we were recording in a remote cabin away from the density that is Seattle.
When Tricia walked out of the bathroom, I knew. But in actuality the hypothetical “dad” version of me looked completely different than the man whose heart was beating out of his chest on the carpet, praying to a god or spirit I hadn’t talked to in months. I basically assumed that I’d have it all together. I held on to clear expectations of where I wanted be in my career, my age, my level of self-care, and my maturity. I’ve always had some make-believe image in my head of who I would be as a father. Scared of the process of staring at myself through a page and seeing someone that I wasn’t proud of. But I think back to that night: praying on the floor at 2am as Tricia went to the bathroom to take the pregnancy test I’d just purchased from Walgreens. It would make for a far more polished and respectable story. “I wish that I could say that I was in a “better place” when I found out the news. On his Soundcloud account, the Seattle artist wrote an endearing note to his fans:
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